The Transformation of the Function of Church Music: From Ritual Liturgy to a Stage for the Expression of Nationalism
DOI:
https://doi.org/10.17509/swara.v6i2.83Keywords:
Church Music, Collaboration, Inclusive Nationalism, Liturgy, Social and Civic ServiceAbstract
Church music has traditionally been understood primarily as a liturgical element that supports the expression of faith and the smooth conduct of worship services; as a result, its potential as a medium for social and national service in the public sphere has not yet been fully realized. This study aims to identify the forms of church music practices during the celebration of the anniversary of the Proclamation of the Republic of Indonesia, analyze the obstacles and opportunities for its development, and formulate a model of ministry that integrates faith, nationalism, and social engagement. The study employed a descriptive qualitative method with a case study design focused on the Soli Deo Gloria Papua Community in Jayapura. Participants were selected through purposive sampling and included pastors, music or liturgy coordinators, musicians, worship leaders, song leaders, dancers, and congregation members. Data were collected through semi-structured interviews, moderate participatory observation of worship services, rehearsals, and nationalistic activities, as well as document analysis; they were then analyzed thematically through data condensation, data presentation, and drawing of conclusions. The results indicate that music plays a vital role in fostering spirituality, congregational participation, and community identity. Community involvement in the “Evening of Praise and Prayer for Indonesia” event demonstrates the potential of church music as a space where faith, Papuan identity, and Indonesian nationalism converge through a blend of hymns, national anthems, regional songs and dance. However, such practices remain sporadic due to limitations in governance, resources, repertoire, facilities, funding, and networks. This study concludes that church music needs to be developed through the Liturgy-Habitus-Collaboration model so that social and national ministry can proceed in a planned and sustainable manner. Future research could test this model in other church communities and cultural contexts.
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